Friday, June 29, 2012

Famous and Fabulous

I have to admit I love Chantal Thomass’ style and have for years!
This French designer has produced some of the most glamorous products I’ve ever seen. Parfums, lingerie, stationary, and umbrellas.  Her vast line of  products, never ceases to amaze me.  And now she is designing bathrooms, what could be more appropriate?  Below you will find a sampling of her creations, which personally I can’t seem to enough of!  Enjoy ….



[raquel+zimmerman+in+knoll+Bertoia+chairs+and+Chantal+Thomass+hosiery.jpg]
Chantal Thomas tights




Yep, it’s a washing machine!  Can you imagine, I would only wash my LaPerla in these.  Only 300 were made.



Chantalls umbrellas




Cell Phone Covers …




Chantal Thomass Chantal Thomass
This bottle is so fun, and would make a great accent to your dressing table ….




thg-poemes-bath.jpg
And this is her exquisite designed bathroom!

Oversized Sunglasses Are The Hottest Trend For Summer This Year



One of the most important accessories for summer is stylish sunglasses. If you do not know which styles are the trendiest this fall, take a look there! This summer you have a wide choice as there are many styles you can select from. We provide you with 10 most fashionable ideas:
1) One of the hottest trends of sunglasses this season is Ray-Ban’s Wayfarers. This style of sunglasses was particularly popular in 1950′s and 1960′s. This year thay made a significant came back. Such sunglasses come in classic black, vintage bright colors or new two – toned frame choices which create the ultimate classic style.
2) The 70′s style thicker frames have been popular for a few years already. However, you should be very careful if you decide to choose these retro style – inspired protections of sun. They should be appropriate for your face features and not to look too big.
4) One of the lattest trends in sunglasses are the gradient lens. These sunglasses emphasize lenses, which are usually half shaded from top to bottom, and not frames. Different color lenses will make you to look modern and very stylish.
3) Tortoise shell glasses are all still very hot this year. Stylists think that they will probably go out of style soon, but this year they are still fashionable. They are universal because they can be worn with any style of clothes. A good investment for a difficult financial times!
5) The round “John Lennon” style sunglasses were particularly favoured by hipies. Later they were associated with such celebrities as Philip Johnson, Le Corbusier, Dominick Dunne or Gandhi. These sunglasses helped to created unique and noticeable style. This year “John Lennon” style sunglasses made a huge come back especially for women. So, if you want to attract lots of attention, these unusually looking sunglasses are a perfect choise for you!
6) Rimles Aviators continue to be on the highest tops in fashionable eyewear world. This season they give us a sleek and modern look. They will look especially good with sport – style clothes.
7) Oversized sunglasses are the hottest trend for summer this year. Many designers have included this style in their collections and many celebrities have already gone crazy for them. Such sunglasses will look fantastic when matching them with other big- sized accessories such as massive jewerly, huge bags or a big maritime style hat.
8) White – framed sunglassed are extremely hot for this summer. White color frame returns us back to the 1960′ s and make you look distinctive and very stylish. In magazines or on TV we may notice that many people have already liked this type …

Friday, September 17, 2010

The Bad Luck Collection

Flashy dresses are liked by every chic. Pouncing on this notion, Leila Shams Fall 2010 Collection is full of lots of flashy and shimmer dresses. Her latest collection, titled ‘Bad Luck’ is a phenomenally detailed, glamorous and beautiful collection that presents motifs of black cats, broken mirrors, and number 13.
black cat dressnumber 13 jersey
Theme is really interesting and clothes are doing justice with it. It is a rebellious, flashy designer collection which is giving competition to superstition as all of the designer dresses are adorned with pictures that are regarded as bad omens like black cats, broken mirrors, and the number 13.
multicolor gownnecklace dress
Leila Shams Fall 2010 Bad Luck Collection presents chic dresses for prom owing to its sexy silhouettes, sparkle, edgy prints and liberal use of sequins. This is a very funky, feminine and wearable collection. Designer exploded designs with her favorite things like prints, sparkle, and super-short dresses.
broken mirror leggingslucky wrap dress
Shams has paid homage to all superstitious things with this wacky collection which is more likely to help you ‘Get lucky’.

POST by Andrew

The return of the bowtie



Tim Girvin and Jack Larsen, at his Park Avenue Studio

A fashion archetype, reconsidered.
I was relieved to hear that the bow tie is coming back. Somewhere around ten years back I’d moved past that detail — the suit, the oxford shirt, the bow tie. That was a legacy fashion configuration for me – and I moved past them. I’d learned about the bowtie from my Dad, a surgeon who had referenced that he’d worn them because there was no dangling. For me, the idea was the splash of color — something elegant and restrained. Then I went all black.

But, given the news, I’d reconsider — just think, Tom Ford, Ralph Lauren. And designer Patrick Robinson. According to David Colman, the NYTimes, “FIVE or six years ago, men made a deal. In the name (and spirit) of dressing well (and up), they would embrace the soigné glamour of the tuxedo. Velvet and satin details, shawl and peak lapels: bring it on. But they would deep-six the entire lot of maddening tuxedo minutiae, which are as easy and festive to manage as a year’s worth of tax receipts. Cummerbunds. Studs. Cuff links. Patent-leather slippers. Piqué bib-front shirts. Bow ties.”
Ah, change in hand, “a gentleman’s prerogative to change his mind. While those shiny shoes and irksome studs are still in exile, the bow tie has had a springtime resurrection worthy of spring itself. This was evident at last week’s Costume Institute gala, and this spring’s entire benefit circuit, which have made clear that the four-in-hand tie has been sent to join the cummerbund in sartorial Siberia.” Nickelson Wooster, the men’s fashion director of Bergdorf Goodman and Neiman Marcus offers, “It always seemed like a con job to get guys to put on a tuxedo. We were all talking about this after the Oscars, that all over guys are wearing bow ties again. It doesn’t look more formal, per se. It just looks correct. It doesn’t even have to be black. I saw a camouflage bow tie that looked great with a black tuxedo, and there are some white bow ties made of piqué to match the shirt, which looks seriously chic.”

Tom Ford‘s 2010 collection, sampled for bow ties:

Historically speaking, there’s a legacy that’s rather dashing. Martial, perhaps — an abbreviated story: The bow tie originated among Croatian mercenaries during the Prussian wars of the 17th century: the Croats used a scarf around the neck to hold together the opening of their shirts. This was soon adopted (under the name cravat, derived from the French for “Croat“) by the upper classes in France, then a leader in fashion, and flourished in the 18th and 19th centuries. The French novelist Honoré de Balzac even wrote a book on the subject. It is uncertain whether the cravat then evolved into the bow tie and necktie, or whether the cravat gave rise to the bow tie, which in turn led to the necktie.
And the curiosity expands to the singularity of the item — loved, or hated. But, surely differentiating.
“To its devotees the bow tie suggests iconoclasm of an Old World sort, a fusty adherence to a contrarian point of view. The bow tie hints at intellectualism, real or feigned, and sometimes suggests technical acumen, perhaps because it is so hard to tie. Bow ties are worn by magicians, country doctors, lawyers and professors and by people hoping to look like the above. But perhaps most of all, wearing a bow tie is a way of broadcasting an aggressive lack of concern for what other people think.”
—Warren St John, The New York Times
Other observations: “Russell Smith, style columnist for the Toronto Globe and Mail, observes that opinions of bow tie wearers are mixed. While he observed that bowties were experiencing a potential comeback among men, he also stated that “the class conscious man recoils at the idea” of pre-tied bow ties. “Left-wingers,” he continues, “recoil at what they perceive to be a symbol of political conservatism.” He finally observes that “followers of fashion wrinkle their noses at the anachronism,” and that bow ties are “deliberate eccentricities,” that “basically dull men” use to project the image of being “zany and fun.” He argues that, however, the anachronism is the point, and that bow tie wearers are making a public statement that they disdain changing fashion. Such people may not be economic conservatives, he argues, but they are social conservatives. In Smith’s view, the bow tie is “the embodiment of propriety,” an indicator of fastidiousness and intelligence, and “an instant sign of nerdom in Hollywood movies,” but “not the mark of a ladies’ man” and “not exactly sexy.” To this image he attributes the association of the bow tie with newspaper editors (because of their fastidiousness with words), high-school principals, and bachelor English teachers. Most men, he observes, only wear bow ties with formal dress.”
There’s Bond — nearly every film.

And there’s Tony Stark, Iron Man (2)

Closing sentiments? It might be said that there is no single male fashion accessory provokes as much emotion as the bow tie. “People who wear them fall in and out of love with them or bear them as a burden for life. People who have to look at them can find them irritating or worse. The presence of a bow tie always seems to draw comment and the phrase “bow tie-wearing” in certain contexts can sound like a slur.
For example, negative reviews of “bow-tie wearing” Tucker Carlson‘s journalistic work, for example, few fail to note his neckwear. “It’s almost designed to provoke hostility,” Mr. Carlson said. When a fastidious former civil servant named Donald Tsang was named chief executive of Hong Kong in 2005 by the government of China, the Associated Press noted the news this way: “Bow-Tie Wearing Technocrat Takes Over Hong Kong.”
For those that love this emblem, the bow tie suggests “iconoclasm of an Old World sort, a fusty adherence to a contrarian point of view. The bow tie hints at intellectualism, real or feigned, and sometimes suggests technical acumen, perhaps because it is so hard to tie. Bow ties are worn by magicians, country doctors, lawyers and professors and by people hoping to look like the above. But perhaps most of all, wearing a bow tie is a way of broadcasting an aggressive lack of concern for what other people think.”
Jack Freedman, a bow-tie wearer and fashion planning executive at the men’s clothing group, Paul Stuart, said he believes there was “nothing inherently bothersome about the bow tie.” You stand out, no question about it. “It’s a statement maker because it’s not generally in fashion,” Mr. Freedman said. “It tells people you’re an individual.”
Who wears them then?
A Who’s Who of “rugged individualists:”
• Theodore Roosevelt
• Charlie Chaplin
• Winston Churchill
• Fred Astaire
• Senators Daniel Patrick Moynihan of New York | Paul Simon of Illinois
• Louis Farrakhan, the leader of the Nation of Islam
• George Will
• Charles Osgood of CBS News
• Andre 3000 of the band OutKast
The “ironic wearers:”
• Mark Russell
• Pee-wee Herman
• Mo Rocca
According to Mr. Freedman, at Paul Stuart, about 10 percent of the store’s customers buy bow ties. The curiosity about the “design of bow ties” is they offer “far more opportunities for expression that the simple necktie. Bow ties come in every imaginable color and fabric and there is no end to bow-tie shapes. James Atlas, the writer and editor, for example, is known for wearing a large floppy bow tie, while Mr. Carlson wears what Mr. Freedman described as a loose but “ultra-small” bow tie with square ends. Me, I’m a medium wearer — not the straight and narrow, nor the large butterfly, but the medium — a perfected balance. Mr. Freedman said, for a bow tie, “there’s no right or wrong.”
It’s been phrased that bow ties make such an impression that once you’ve been seen in one, people will forever associate you with it. Mr. Will, the columnist, said he started wearing a bow tie in the 1960′s as a statement “when things started going crazy.” He said he began wearing it less when it became a kind of “costume.” When he wears a regular necktie now, he said, people invariably comment on the absence of his bow tie.
Same with me — in seeing anyone that I’ve not seen in the last 5 years, for example, it’s “where’s your bow tie?” In my closet, along with what you might presume to be the largest collection of bow ties in the Pacific Northwest (or so rumored), 300 last count.
Time to tie and dress up.

Thanks to Tim Girvin

JUST MAKE SURE YOUR WALK IS DEADLY AND YOUR SHOES ARE FIERCE!

Show Review: L.A.M.B Spring/Summer 2011

There’s no doubt Gwen Stefani has a thing for Jamaica. With a son named Kingston, another son whose middle name, Nesta, is the same as Bob Marley’s, and frequent trips to the tropical isle, she clearly uses Caribbean culture as a muse. She set L.A.M.B’s Spring/Summer 2011 collection to a dancehall beat, but this time around took a slight departure to West Africa, parading a series of dresses and separates in African print adorned with ethnic beads, topped off with cool fedoras, canvas bags, and strappy platform heels.
An onslaught of ikat, tie dye, and ethnic patterns paraded down the catwalk to music by Sean Paul, MIA, and Santigold. Printed crop tops with off the shoulder details were paired with railroad striped pants with macramé belts, and silk chiffon ruffled shoulder dresses were worn with blazers with peplum details. Animal print tanks played with low crotch cropped pants while oversized sweaters draped over harem trousers. There was a lot to see in 47 looks, but Gwen managed to capture every Afro-Caribbean influence under the sun before she took her final bow.
I loved the collection, probably because it seemed all too familiar. Remixing and reworking African prints has been done before by other, smaller brands who don’t have the benefit of a celebrity backer to put their work in big lights. The key to inspiration is to offer a unique take on something that has been seen before. Gwen narrowly managed to forge her own path with lovely loose fits, asymmetric hems, and a bold color palette of black, white, red, yellow, blue, and olive green.


100% original it was not, but 100% fun it was. And of course the shoes and bags were b-a-n-a-n-a-s.